What's your favourite mu43 native lens to manually focus?

melanie.ylang

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Hi all,

I often think that I'd like to use manual focus more often on my native lenses, but most of them don't feel nice to do this with; the only one I do like manually focussing with is the Sigma 30mm f/1.4, which has a wide, rubbery focus ring.

My other lenses are: Panasonic 20mm f/1.7, Panasonic 25mm f/1.7 (that's not too bad), Olympus 45mm f/1.8 (rarely used, don't really like it - kept for focal length), Olympus 60mm f/2.8 macro (also not bad, as it's quite a wide focus ring), Panasonic 14-140, Panasonic 100-300 (rubbery, but not smooth to turn).

Which native lenses do you find enjoyable to manually focus? Note: I have tried a Voigtlander 25mm mu43 lens, but generally I don't enjoy using heavy lenses much, nor using all-manual lenses (however, contrarily, I do sometimes use adapted vintage lenses).

Also, I'm thinking about adding a wider fast prime, such as the Panasonic Leica 15mm f/1.7, can anyone comment on how that feels to focus manually? I previously tried and didn't like the Panasonic 14 f/2.5 and Olympus 17mm (both f/2.8 and f/1.8). Or, possibly, I could manage with a zoom such as the PL 12-60mm f/2.8-4, but I don't want to go to using Olympus zooms as I can't get my brain to accept opposite turn!

Thanks in advance for your helpful suggestions.
 

Mike Wingate

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I sometimes focus manually with my O60mm. It can take a while, so I auto focus and then change to manual to speed up the process. I have the PL15mm, never focussed manually with it. A perfect lens.
 

Mike Peters

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The Leica 10-25 with the clutch is very good for manual focus duty. All of the Olympus lenses with the clutch are also really good, although I don't have them anymore as I prefer the zoom direction of the Pana/Leica series.
 

Machi

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I'm using manual focus on my native lenses (Oly 12-40, 14-42, 40-150, Pana 20 f/1.7, Samyangs 7.5, 12, 85...) quite often but it's mostly matter of necessity and not pleasure.
Nothing comparable to old adapted film lenses which are much more enjoyable.
Only exception is Samyang 85mm f/1.8 which has great manual focus.
But my experience can be distorted by the fact that manual focusing with wide angle lenses feels rather different than with longer focal length lenses because of different DOF.
 

Bushboy

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All of the budget models seem to be really bad, apart from the macros. If you want real bad, Panasonic’s 100-300 , unusable really. The best I’ve used was a , Samyang 12mm full manual apsc model with M4/3 mount. Actually a very good lens which I stupidly swapped for the Olympus version, which wasn’t a patch on the Samyang. Go figure. The best I have at the moment is the Olympus 30mm macro. It seems, unless you have pro range, or the fully manual jobbies, manual focus with our gear is budget at best. Luckily the autofocus is truly amazing. Lightning fast and accurate.
 
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jimr.pdx

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My winner is the TTArtisan 35/1.4. Both focus and aperture are just right for me, and I look forward to the availability of their 17/1.4 in the next few months - unless its weight is beyond my comfort zone. I might even take the 50/1.2 for a spin!
 

doady

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It's too bad my E-M1 II doesn't have electronic distance scale displayed on the LCD for manual focusing like my old C-5060 and C-7070. I don't know if any m4/3 camera has this, so maybe it is one of the weakness of m4/3 system. I'm learning how to use focus peaking and magnify, so I still have trouble manual focusing with E-M1 II. Bigger and higher-res LCD and EVF do not help as much as I thought it would.
 

archaeopteryx

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If you want real bad, Panasonic’s 100-300 , unusable really.
While I wouldn't call the 100-300 unusable, worst focus ring of any lens I've ever used for sure. And not by a small margin. Fortunately I only wanted it for nearly always autofocus things.

Which native lenses do you find enjoyable to manually focus?
I'm not sure I care enough about the process of focusing to really think about enjoying it, so if the focus ring just works and doesn't distract me from composing I'm happy. The Olympus 9-18 and Panasonic 12-60 f/3.5-5.6 are fine, the ring on 45-175 copy I have is a bit stiff to my tastes, the 45-200 II is somewhat better. Since I do lots of focus bracketing I manual focus the Panasonic-Leica 45 f/2.8 macro a lot in setting up brackets. Its ring has the nicest feel but there's no functional difference from the 12-60 and 45-200. The Leica bit certainly isn't adding anything, particularly compared to other comparably priced lenses I've used.

If you go just on manual focus feel, probably the nicest lens I have is a Minolta 50 f/1.7 MD III that I spent a bunch of time running back and forth to get the helicoid loosened up. But it's not native mount and the advantage over the 45 and 45-200 is minor. The difference I think is in the rotating mass from focusing by extension, which won't be found on an internal (auto)focus lens.
 

ABFoz

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Kaore au i te rite mo tera.
For photography?I don't have Oly lenses at the moment, but I would choose Oly lenses with the MF clutch (12mm F/2.0, 17mm F/1.8 and the pro ones) because they have enough resistance to keep the control ring intact and the clutch is just handy when doing zone focusing. Those lenses without the clutch would put the focus just around infinity the moment the camera is turned off then on. That's not handy when on the street. The MF clutch takes care of that.

I usually prefer dedicated manual lenses for manual focusing and I actually have just recently acquired a 7artisans 25mm F/1.8 but the problem with that lens for zone focusing is that the rings are a bit too soft so even when the the distance is set to 3m, a slight touch of a hair will throw the focus distance off. I may put a transparent rubber band around the focus ring to give it a bit more resistance. The lens, though, is easy to use for videography.

I am using the 25mm F/1.7 now on my GM5 and I don't mind the speed-sensitive focus-by-wire system but in terms of operation, I prefer the 20mm F/1.7 because the focusing is linear. Actually, I have already gotten used to the speed-sensitive operation of the PL 25mm. I would be nice though for the camera to lock onto the selected focus distance even after power cycling as it would be really handy for zone focusing. Cheers.
 

melanie.ylang

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@melanieylang I am curious what it was about the Panasonic 14 f/2.5 that you didn't like. I was thinking of picking one up to give it a go.
Karen
Quite honestly, I don't recall! It may have simply been a general dislike of how it felt and an underwhelming response to the images, rather than anything definite. I've felt the same way about the 12-32mm, which gets a lot of love on this forum.
 

kmcsmart

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To

Quite honestly, I don't recall! It may have simply been a general dislike of how it felt and an underwhelming response to the images, rather than anything definite. I've felt the same way about the 12-32mm, which gets a lot of love on this forum.

I am with you on the 12-32mm. I would never sell mine because it is so compact and it is nice to throw on my camera when I am worried I might damage a lens (like wearing it x-country skiing with my capture clip) but I don't really like the lens because there is no manual focus. I drives me crazy when it is not focusing where I want it to and I can't remember the buttons I am supposed to push to make it focus. It is a great zoom range that I will have to duplicate someday with another lens.
 

Trixter

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It may have simply been a general dislike of how it felt and an underwhelming response to the images, rather than anything definite.

That was my feeling as well; underwhelming sharpness. I also felt it didn't have any purpose; the 12-xx zooms covered that range, as does the 7-14 and 8-18. And if you only needed it because it was a good travel pancake lens, the 20mm f/1.7 is much better image quality (IMO) with a more useful (also IMO) focal length. So yeah, the 14mm f/2.5 was the first lens I ever sold.
 

PakkyT

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@melanieylang I am curious what it was about the Panasonic 14 f/2.5 that you didn't like. I was thinking of picking one up to give it a go.
Karen

I have this lens. But I bought it for a specific purpose as it was reported to work well with infrared shooting (it does) which is what I mainly use it for on my infrared converted Olympus E-P2. I admittedly have not used it much on a "normal" camera other than when I first got it to check it out, but for my IR shooting it has been very nice. the focal length is well suited for general purpose shooting. Since I am shooting passive IR all the photos are shot in daylight so the f2.5 is perfectly fine. It is a tiny lens so doubles as a body cap lens on my E-P2. Otherwise it works fine and I imagine it is a nice lens for normal spectrum shooting. I think the only negative I noticed with this particular sample I have that it is a little tight mounting and un-mounting from the camera.
 

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