This sculpture placed a little lost in the grass next to the footpath leading to our hospital needed some framing.
A water pipe under a bridge on the way came just right. In-camera double exposure.
Thanks for the compliment. I'm slowly understanding a little better how the camera algorithms work. The main problem is that you can only judge if the overlay is good when you see it on the PC screen. There is no telling beforehand whether the first shot ot the second will dominate. But I've realized that you can influence it to a certain degree by over- or under-exposing the second shot. Slowly I'm getting what I want (see the following two in-camera double exposures).