When I got my new camera, I was eager to see how well my old AIS Nikkors would do on the OM-D and how they would compare to a native lens. Secondly, I was curious as on the site www.lensetip.com :43: lenses score a higher resolution. The site points out that you can compare lenses only if they were tested on the same camera so I was eager to see for myself. In addition, I remembered from the time of film-photography, that lenses with a resolution of 40+ lines/mm was considered already very good, now the :43: score resolutions of 80+ lines/mm and I wanted to know wether it was something funky going on with the sensor or whether it was really the lenses. Please keep in mind, that while I have tried to control image parameters, but this is by no means a professional test. It is rather a comparison, with my personal commentary. Personally, I had my money on my Nikkors, so when I did the first test on JPEGs, I was somewhat shocked to see the Panasonic 1.7/20 blow the Nikkors out of the water. So I suspected the OM-D to recognize the Pana and to apply in camera corrections to the images. I've repeated the test with RAW images and developed them in Olympus Viewer 2 without any corrections to the images (all "as shot"). I am not very familiar with RAW development, so Olympus Viewer might have still snug some "unfair" processing into the images, but Sharpening (as well as all other parameters where this applies) was set to "as shot" and "use lens information" was unchecked. For each lens I did sets from wide open to f8.0 (except for the 50mm, for which this is pointless, I went to 5.6). I picked the best performing aperture from each set. If someone is interested in wide open, I can upload some of them as well. Obviously, I tried to maintain the same viewing angle for all lens by moving closer to the object for the shorter wavelengths. It worked quite well, as I was able to get the same crop with 973x729 pixels (shown below). I also tried to keep the optic axis as perpendicular to the object as possible, I picked intentionally a printed pamphlet. I wanted a flat object to avoid depth-of-field problems (these are really fast lenses and focussing is tricky enough as it is). I also wanted a text section and especially white on red background (not shown here). My experience has been that this is particularly difficult to image properly (might of course be just my imagination ). The images are 100% crops about 1/4 down and right of center, with the exception of the first image, which is a close-up with the Pana as REFERENCE to show, how the test object looks like (in particular the details of the printed image) to show the details that the lenses COULD have picked out in the test shots. It is not a crop but rather a resize. So, without further ado: REFERENCE: E-M5    LUMIX G 20/F1.7    20mm    f/4.0    1/50s    ISO 200 AIS 2.8/180 ED @ 4.0 E-M5    ---    0mm    f/1.0    1/50s    ISO 200 AIS 2.5/105 @ 2.8 This might not be the best example, as I have dropped this lens pretty badly a few years ago and it may have gotten damaged. On the other hand (and this applies to all of the tested Nikkors) the image quality in real-world shots is still pretty good, as the picture in the "Adapted Lens" thread of our cat shows. E-M5    ---    0mm    f/1.0    1/20s    ISO 200 AIS 1.2/50 @ 2.8 I picked 2.8 though there is no appreciable difference between 2.0 and 2.8. Ken Rockwell's statement that this lens reaches max. performance at 2.0 seems correct, as far as I can tell E-M5    ---    0mm    f/1.0    1/15s    ISO 200 Panasonic 1.7/20 Pancake And finally the Panasonic. I may be partial to my old Nikkors, but this is just no contest. The exception being distortion (not shown here), where it doesn't stand a chance due to its focal length. E-M5    LUMIX G 20/F1.7    20mm    f/4.0    1/10s    ISO 200 Commentary: Resolution is not my primary measurement of IQ. In fact I am a bit disappointed that sites like lenstip (which I really like) use mainly resolution as primary IQ measurement (apart from distortion, vignetting etc.). About 30 years ago, Zeiss pointed out, that they do not optimize their lenses for resolution but rather for max. contrast up to 20 lines/mm, as structures of this size have a much bigger visual impact as the really fine details. So in addition to the measurement of max. lines/mm at 50% contrast, I would wish that sites like lenstip or photozone (another excellent page in my opinion) would add a graph of max contrast at 20 lines/mm or (since in :43: the magnification to displayed image is twice that of a full frame, or the old 35mm-film) for :43: rather max contrast at 40 lines/mm. What strikes me in this comparison is that the Panasonic does not only show higher resolution as the Nikkors, but that it beats them contrast wise on the larger structures as well (and by a significant margin) - just look at the curly hair of the boy in front, or compare the printed text. That's it. Sorry for the long post. I am new here. I hope this was ok.