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  #31  
Old July 18th, 2010, 11:31 AM
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I rented this lens for my recent trip to France and the Le Mans Classic, and for such a tiny little thing it really impressed me. Yes there is some noticeable chromatic aberration in subjects with high contrast (but then I am comparing it to a Canon L Series wide zoom, which is probably a bit unfair!) but as for sharpness and overall image quality I have to say I was quite impressed.

I may well end up buying one if I can find it on a good deal although now I know about the rental possibility I may well stick with that until I've paid off my new kitchen!

A few shots:









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  #32  
Old October 23rd, 2010, 12:14 AM
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wow guys, i'll have to get some shots together with my 9-18! great results! :)
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  #33  
Old October 23rd, 2010, 05:47 PM
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I'm surprised that there is not more gushing about what a great tourist lens this is.

A 28mm view is not anywhere enough for good interior shots. When I was more serious about photography, the 24mm f2.8 Nikon lens was my favorite. Now I have a new favorite:



... and the lens is so compact that carrying it for street shots is easy. It's especially nice where the street is narrow enough that a "normal" lens couldn't get the shot.



But there is also the overwhelming temptation to grab an ultrawide cliché once in a while!

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  #34  
Old November 8th, 2010, 09:42 PM
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I recently purchased the Oly 9-18 along with E-PL1 and think that both are great[IMG][/IMG]
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  #35  
Old November 9th, 2010, 05:51 AM
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does anyone find they get heavy distortion at the wider settings? I find if i'm taking shots of people, anyone near the outer 3rd of the view will be stretched heavily. just characteristic of the lens or something i'm missing?
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  #36  
Old November 9th, 2010, 08:06 AM
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Quote:
Originally Posted by Kosta View Post
does anyone find they get heavy distortion at the wider settings? I find if i'm taking shots of people, anyone near the outer 3rd of the view will be stretched heavily. just characteristic of the lens or something i'm missing?
It's just a characteristic of ultra-wide angle lenses. The distortion at the edges of the frame is much more pronounced than a normal lens. The Canon EFS 10-22mm is the least distorted UWA lens I have used but you still don't want to put people around the edges of the frame. Rather then being a weakness, the distortion in a UWA lens can be one of its greatest compositional strengths once you get used to it.
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  #37  
Old November 9th, 2010, 03:56 PM
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thanks lucky, i thought that was the case, it is great for architecture and landscapes at widest settings, and only for people if they are more centrally framed...
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  #38  
Old November 9th, 2010, 04:07 PM
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Quote:
Originally Posted by oldracer View Post
I'm surprised that there is not more gushing about what a great tourist lens this is.

A 28mm view is not anywhere enough for good interior shots. When I was more serious about photography, the 24mm f2.8 Nikon lens was my favorite. Now I have a new favorite:

Where was this image taken? It's fabulous.
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  #39  
Old November 9th, 2010, 04:37 PM
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Looks like the inside of a camii (mosque) in Turkey?
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  #40  
Old November 9th, 2010, 09:26 PM
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Quote:
Looks like the inside of a camii (mosque) in Turkey?
Close! Very close! It's the interior of the library at Topkapi Palace in Istanbul.

Here's a mosque. You really can have a lot of fun with this lens.



But the urge to shoot clichés never dies! Here are a couple more.






Incidentally, this bubble level is very handy when working with this lens: Dubble Bubble Level I think it is much easier to use than the multiple-tube levels. They don't illustrate it well, however. It actually has two bullseye levels, one for horizontal format shots and one for verticals.
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