
July 15th, 2012, 04:05 PM
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Quote:
Originally Posted by 0dBm
Sounds promising. I am considering the Canon S100 for ULTRA low-profile concert footage capturing capability; however, this may be a better implement for that task.
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Then this review probably has a lot more relevance for you. The person who wrote it is a filmmaker and thus he's reviewing it with that mindset.
"Would I consider intercutting RX100 footage with 1080p from a pro Super 35mm cinema camera? Yes I would."
"Depending on how challenging the shot and the scene, you can intercut footage from the FS100, FS700 or $15,000 Canon C300 with the little RX100 quite happily."
Also, he seems quite happy to have discovered Sony's handheld twilight mode. I shake my head at most reviewers that gloss over it as a gimmick. Most review sites don't even bother posting any sample shots of it in action. From personal experience on various Sony cameras that have it, it's a "game changer". It works really really well. It's magical. I've tried to spoof it by doing some crazy stuff and it takes it in stride. Commenting on a camera with HTW without utilizing that mode is drastically understating that camera's low light performance.
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