I thought I'd start off a thread for those 35 & 120 film shooters out there.

Please list your system, lens and film with your posts.

A few starters -

Nikon F100 + Nikkor 50mm f1.8 + Fuji Superia 200




























Voigtlander Bessa R + Colour Skopar 35mm f2.5 + Agfa APX

Cameras: Nikon F5, Canon F1, Canon FTb, Mamiya C330F, Mamiya RB67 ProSD, Holga, Chamonix 4x5
Film: Velvia 50/100F, Provia, Portra 160 NC, lots of B&W, etc.

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-Dragos
Panasonic GH1 + various lenses

So is mine...

-Nikon N6006
-Nikon N75
-Contax G1
-Yashica Electro 35 GSN

Assorted glass & film


USAF Miltary Training Instructor (MTI) by RedTail_Panther, on Flickr


Mission San Jose Y San Miguel De Aguayo by RedTail_Panther, on Flickr


1966 Corvette Sting Ray by RedTail_Panther, on Flickr

I've been disappointed in the results from scanning 35mm transparencies, so I'm pretty much done with film at this point, I think. Probably the only reason I'd consider shooting film again would be large format work with a view camera (there's just so much you can do with tilts and shifts, and no, a T&S lens on a small camera just isn't the same).

But given the cost, weight and complexity of dealing with large format film, I doubt I'll ever actually get back to it.

I appreciate ur hard work and patience but honestly nothing is inspiring me to think that these shot are competing with FF . They are not even closer to a simple P&S leave aside DLSR , MFT or high end P&S. Is there something wrong in scanning pics?
Cheers
Bhupinder

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OMD Silver with battery Grip
Olympus 45mm 1.8
Panny 20mm 1.7
Olympus 4/314-54mm MrkII,
Fuji X100 Black LE

35mm film is the film standard for which full frame digital sensors are measured with.
What are you looking for in our shots

I am looking for sharpness and rich colours .. I know about 35 mm film ..hahaaah
Cheers

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OMD Silver with battery Grip
Olympus 45mm 1.8
Panny 20mm 1.7
Olympus 4/314-54mm MrkII,
Fuji X100 Black LE

Hmmm...let's see....
No in-camera sharpening or post-process sharpening (though you can stack negatives to increase sharpness) so depending on your focus technique, film will really let you know just how good/bad your lens is....

Different films have different levels of color saturation

I use a Konica Hexar RF, 15mm f/4.5 (V), 24mm f/2.8 (L), 35mm f/1.4 (L), 40mm f/2 (L), 50mm f/2.8 (L), 50mm f/1.4 (C), 65mm f/3.5 macro (L), 90mm f/2.8 (L). V = Voigtlander, L = Leica and C = Canon.

The films I use are Kodak BW400CN for its speed and convenience and Adox CMS 20 for its incredibly fine grain. More than 90% of my film photography is in black and white, probably 95%, but I keep a small stock of Fujichrome Provia and Velvia slide film and Fujicolor Pro 160S and 400H in the freezer for colour.

I also have a Leica M9P body to use with these lenses.

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Colin

Panasonic G3, 20mm, 14-45mm, 45-200mm, Olympus 45mm, 9-18mm.