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January 18th, 2013, 05:51 PM
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Quote:
Originally Posted by hazwing
interesting read... is it possible to get similar results to OV2 by adjusting the settings in LR4? I now have gotten used to LR4 for cataloging, and I like how it's nondestructive. Using OV2 will just add another step to workflow.
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I still do all of my cataloging and editing in LR. The batch processing in OV2 is sort of like a filtering step after import, and doesn't add much time to my workflow.
The detail that OV2 pulls out of the raw files is more than I can get with the sharpening tools in LR. It's not just sharper, it actually seems to have more detail. The dynamic range also seems slightly expanded in OV2. LR just doesn't pull detail out of the shadows like the Olympus software.
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Panasonic GH3, Olympus OM-D EM5, Infrared PEN E-P3 bodies. Oly 12-50mm, 12mm f/2.0, 60mm f/2.8. Panasonic 25mm f/1.4, 12-35mm f2.8, 35-100mm f2.8. Rokinon 7.5mm fisheye
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January 18th, 2013, 06:39 PM
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Quote:
Originally Posted by robknight
I still do all of my cataloging and editing in LR. The batch processing in OV2 is sort of like a filtering step after import, and doesn't add much time to my workflow.
The detail that OV2 pulls out of the raw files is more than I can get with the sharpening tools in LR. It's not just sharper, it actually seems to have more detail. The dynamic range also seems slightly expanded in OV2. LR just doesn't pull detail out of the shadows like the Olympus software.
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How does a 16bit tiff file handle things like white balance, push and pull highlights and shadows. Is it better to have done this all in the RAW file, before conversion to tiff?
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January 18th, 2013, 07:28 PM
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Quote:
Originally Posted by hazwing
How does a 16bit tiff file handle things like white balance, push and pull highlights and shadows. Is it better to have done this all in the RAW file, before conversion to tiff?
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Most of the time the 16bit tiffs have plenty of headroom for editing. White balance is no problem for sure. The OV2 tiffs tend to display highlight and shadow detail much better than LR, even with raw files in LR.
The OV2 software is SO slow that I can't imaging actually doing any regular editing in there :)
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Panasonic GH3, Olympus OM-D EM5, Infrared PEN E-P3 bodies. Oly 12-50mm, 12mm f/2.0, 60mm f/2.8. Panasonic 25mm f/1.4, 12-35mm f2.8, 35-100mm f2.8. Rokinon 7.5mm fisheye
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January 18th, 2013, 08:28 PM
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Mu-43 Regular
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but the 16bit Tiff loses the extif data. would the Exit-tiff work as well?
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January 18th, 2013, 08:47 PM
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Quote:
Originally Posted by fdifulco
but the 16bit Tiff loses the extif data. would the Exit-tiff work as well?
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That IS a bummer. A friend of mine uses EXIFtool to get the info into LR, but I haven't tried it yet
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Panasonic GH3, Olympus OM-D EM5, Infrared PEN E-P3 bodies. Oly 12-50mm, 12mm f/2.0, 60mm f/2.8. Panasonic 25mm f/1.4, 12-35mm f2.8, 35-100mm f2.8. Rokinon 7.5mm fisheye
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January 18th, 2013, 09:29 PM
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Mu-43 Hall of Famer
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Quote:
Originally Posted by robknight
I didn't know if I should embed the videos, so I just posted links to them...
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No, probably something wrong on my end. I got it to work in another browser.
Quote:
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The comparison is adobe default settings vs the OV2 default, which is basically the in-camera settings.
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Right. But as you say in the video, Adobe's defaults aren't designed to give you a contrasty, punchy image, they're designed as a starting point. It doesn't take much effort to build a preset that will mimic the Olympus results reasonably well. Granted, it would be nice if Adobe included a built-in option to mimic the OOC settings as well, but for the smaller manufacturers, they don't.
I object slightly to the comment that OV does better than LR, for the simply fact that if one is willing to change the defaults, I find LR produces distinctly better output, particularly when it comes to sharpening and noise reduction.
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E-M5 | E-PM2 | mZD 12-50 | ZD 12-60 | P 14-42 X | mZD 40-150 R | PL 25 | mZD 45
Last edited by dhazeghi; January 18th, 2013 at 09:37 PM.
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January 18th, 2013, 10:10 PM
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Quote:
Originally Posted by dhazeghi
Right. But as you say in the video, Adobe's defaults aren't designed to give you a contrasty, punchy image, they're designed as a starting point. It doesn't take much effort to build a preset that will mimic the Olympus results reasonably well. Granted, it would be nice if Adobe included a built-in option to mimic the OOC settings as well, but for the smaller manufacturers, they don't.
I object slightly to the comment that OV does better than LR, for the simply fact that if one is willing to change the defaults, I find LR produces distinctly better output, particularly when it comes to sharpening and noise reduction.
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I thought exactly the same thing until a couple of weeks ago... In the course of my usual workflow I have default settings for .orf files in Lightroom 4 that produce better results than the default Adobe settings. The sharpening and noise reduction tools in LR4 are great, and definitely work better than the same tools in Olympus Viewer 2.
However... OV2 pulls more detail out of the .orf files than LR. Not sharpness, but detail. Especially in the shadow areas, but across the tonal range. This is with all settings in OV2 at 0. No sharpening, no contrast, no nothing. You can add sharpening in LR4, but even with careful adjustment of the radius, detail and masking the detail is not the same. You can make the files look really good, but if you start with the OV2 conversion they look better.
In the example in the video the shadow areas of the rocks are mush in LR4. Bringing up the shadows slider only brightens the mush. Sharpening doesn't help because there is no detail to sharpen. The OV2 tiff (imported into LR4) has detail in the shadows that responds well to an increase in the Shadows slider.
The ONLY thing I do in OV2 is convert the raw files to tiffs. Any sharpening, noise reduction, etc, etc is done in LR4. The editing tools in Lightroom are unquestionably better than the tools in Olympus Viwewer 2.
At this point I am importing both the original .orf files and the converted tiffs into LR4. When I am editing my picks I have been editing both versions because I'm not 100% convinced to convert EVERY image in the Olympus software. I haven't come across a pair of images yet that shows the Adobe conversion to be a better finished image.
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Panasonic GH3, Olympus OM-D EM5, Infrared PEN E-P3 bodies. Oly 12-50mm, 12mm f/2.0, 60mm f/2.8. Panasonic 25mm f/1.4, 12-35mm f2.8, 35-100mm f2.8. Rokinon 7.5mm fisheye
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January 19th, 2013, 07:46 AM
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Mu-43 Regular
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worked with a few images from EM5 and Oly 12mm, for those i noticed a difference when i selected distortion correction in viewer, export to tiff and then edited in LR. there is a difference in the two saved jpgs on the 12mm, it appears LR is not making lens corrections. going to try some with the 45mm to see if there is a difference. interesting experiment.
frank
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January 19th, 2013, 08:56 AM
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Cantankerous Scotsman
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dont have LR to see how big this issue is. But I have done some tests with OV and Aperture, and the default settings in Aperture produce an image that, to my eyes at least, is identical to that produced by OV.
K
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January 19th, 2013, 12:07 PM
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Mu-43 Regular
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I'm preferring Photo Ninja more and more as the RAW converter for any photos that are of critical quality and printability. It preserves the exif data and even edits it if needed, for example, when I shoot with adapted lenses on the OM-D, and I add that info, it shows up in Aperture in the 16bit tif that's created. I don't dislike Aperture's RAW conversion for the OM-D, but in many photos with a lot of shadow and/or bright areas, Photo Ninja's conversion brings back much more detail and does a good job with normal amounts of noise. It's an added step; not lengthy, but a step I wish I wouldn't need. So I use it only for photos I'm preparing for more critical work. And the 'batch' tools aren't yet turned on. They are there, the developer tells me, just not functional yet.
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