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		<title>Micro Four Thirds User Forum</title>
		<link>http://www.mu-43.com/</link>
		<description>Discuss video gear and techniques</description>
		<language>en</language>
		<lastBuildDate>Wed, 19 Jun 2013 20:28:44 GMT</lastBuildDate>
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			<title>Micro Four Thirds User Forum</title>
			<link>http://www.mu-43.com/</link>
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		<item>
			<title>Favorite native lens to pull focus with</title>
			<link>http://www.mu-43.com/f84/favorite-native-lens-pull-focus-48071/</link>
			<pubDate>Wed, 19 Jun 2013 02:46:10 GMT</pubDate>
			<description><![CDATA[as subject states. I love filming with adapted lenses because pulling focus with the mechanical focus ring is such a pleasure.

I'm now on the hunt for a native lens with good AF performance for stills that allows pulling focus for video a delight.

I'm interested in any focal length.]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->as subject states. I love filming with adapted lenses because pulling focus with the mechanical focus ring is such a pleasure.<br />
<br />
I'm now on the hunt for a native lens with good AF performance for stills that allows pulling focus for video a delight.<br />
<br />
I'm interested in any focal length.<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>klee</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/favorite-native-lens-pull-focus-48071/</guid>
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		<item>
			<title>mounting two cameras for simultaneous shooting</title>
			<link>http://www.mu-43.com/f84/mounting-two-cameras-simultaneous-shooting-47480/</link>
			<pubDate>Sat, 08 Jun 2013 11:16:28 GMT</pubDate>
			<description><![CDATA[Here's an interesting problem. I want to mount two small cameras (Panasonic GH1) on a minimal rig so that I can shoot simultaneously with them. Unlike 3D video, I want the lenses to be as coincident as possible.

Geometrically, I think the best way would be to mount one camera on top of the other, but upside down. I might also use a tilt adapter on each so as to compensate a for the offset.

Not sure what minimal hardware I need for this. Any advice?]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->Here's an interesting problem. I want to mount two small cameras (Panasonic GH1) on a minimal rig so that I can shoot simultaneously with them. Unlike 3D video, I want the lenses to be as coincident as possible.<br />
<br />
Geometrically, I think the best way would be to mount one camera on top of the other, but upside down. I might also use a tilt adapter on each so as to compensate a for the offset.<br />
<br />
Not sure what minimal hardware I need for this. Any advice?<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>rparmar</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/mounting-two-cameras-simultaneous-shooting-47480/</guid>
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		<item>
			<title>180-degree shutter rule: for travel?</title>
			<link>http://www.mu-43.com/f84/180-degree-shutter-rule-travel-46907/</link>
			<pubDate>Mon, 27 May 2013 23:01:19 GMT</pubDate>
			<description><![CDATA[I am wondering just how critical you find the 180 degree shutter rule is when travelling. The reason I ask is that, while I do have a variable ND filter, I am simply a hobbyist and do a lot of still image shots when travelling. Constantly using a variable ND filter and adjusting it, and making sure I am following the 180 degree shutter rule is simply too much of a pain in the ***, especially when you want to film those "candid" moments and not piss off the significant other by playing around with the camera. Also, I enjoy just being able to use the depth of field I want without adjusting everything for each clip I film.

In summary: do you find the 180 degree shutter rule still critical for video quality when the output is simply travel videos? They won't quite be your average "home-made" video, but rather a good quality travel video.]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->I am wondering just how critical you find the 180 degree shutter rule is when travelling. The reason I ask is that, while I do have a variable ND filter, I am simply a hobbyist and do a lot of still image shots when travelling. Constantly using a variable ND filter and adjusting it, and making sure I am following the 180 degree shutter rule is simply too much of a pain in the ***, especially when you want to film those "candid" moments and not piss off the significant other by playing around with the camera. Also, I enjoy just being able to use the depth of field I want without adjusting everything for each clip I film.<br />
<br />
In summary: do you find the 180 degree shutter rule still critical for video quality when the output is simply travel videos? They won't quite be your average "home-made" video, but rather a good quality travel video.<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>jpcairns</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/180-degree-shutter-rule-travel-46907/</guid>
		</item>
		<item>
			<title>Lenses - still versus video</title>
			<link>http://www.mu-43.com/f84/lenses-still-versus-video-46820/</link>
			<pubDate>Sun, 26 May 2013 17:39:13 GMT</pubDate>
			<description><![CDATA[How does f/stop & shutter speed (and other variable features with regard to lenses) differ between still photography and video? 

Do the principles in handling carry over from one to the other or are there finer nuances between the mediums, at least as far as said factors pertain to aperture control on the lenses? 

To take this a step further, when it comes to choosing lenses for shooting video, are there any lenses that are fundamentally incompatible?]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->How does f/stop &amp; shutter speed (and other variable features with regard to lenses) differ between still photography and video? <br />
<br />
Do the principles in handling carry over from one to the other or are there finer nuances between the mediums, at least as far as said factors pertain to aperture control on the lenses? <br />
<br />
To take this a step further, when it comes to choosing lenses for shooting video, are there any lenses that are fundamentally incompatible?<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>TheBambooRonin</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/lenses-still-versus-video-46820/</guid>
		</item>
		<item>
			<title>New footage from Blacmagic Pocket Camera</title>
			<link>http://www.mu-43.com/f84/new-footage-blacmagic-pocket-camera-46813/</link>
			<pubDate>Sun, 26 May 2013 14:25:30 GMT</pubDate>
			<description>This time we get to se some SDOF and low light. 
Cant whait for mine, have a preorder :)
https://vimeo.com/66955436</description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->This time we get to se some SDOF and low light. <br />
Cant whait for mine, have a preorder :)<br />
<a href="https://vimeo.com/66955436" target="_blank">https://vimeo.com/66955436</a><!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>Lobbamobba</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/new-footage-blacmagic-pocket-camera-46813/</guid>
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			<title>Toronto Urban Film Festival</title>
			<link>http://www.mu-43.com/f84/toronto-urban-film-festival-46634/</link>
			<pubDate>Wed, 22 May 2013 22:39:30 GMT</pubDate>
			<description><![CDATA[Toronto Urban Film Festival (http://www.torontourbanfilmfestival.com)

"Each year, at the same time as TIFF, TUFF screens the best films from hundreds of submissions. In 2013 we will be showcasing truly unique and wholly creative silent one-minute film, video and animation from across Canada and around the world."]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start --><a href="http://www.torontourbanfilmfestival.com" target="_blank">Toronto Urban Film Festival</a><br />
<br />
"Each year, at the same time as TIFF, TUFF screens the best films from hundreds of submissions. In 2013 we will be showcasing truly unique and wholly creative silent one-minute film, video and animation from across Canada and around the world."<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>daimos</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/toronto-urban-film-festival-46634/</guid>
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		<item>
			<title>Double system shooting</title>
			<link>http://www.mu-43.com/f84/double-system-shooting-46550/</link>
			<pubDate>Tue, 21 May 2013 03:52:09 GMT</pubDate>
			<description><![CDATA[Hello 

Does anyone here record their video & audio separately then sync them up in post?

What are some good practices to employ to make the final product as good as possible?

 Thanks]]></description>
			<content:encoded><![CDATA[<div><!-- google_ad_section_start -->Hello <br />
<br />
Does anyone here record their video &amp; audio separately then sync them up in post?<br />
<br />
What are some good practices to employ to make the final product as good as possible?<br />
<br />
 Thanks<!-- google_ad_section_end --></div>

]]></content:encoded>
			<category domain="http://www.mu-43.com/f84/">Filmmaking</category>
			<dc:creator>Hudsonhites</dc:creator>
			<guid isPermaLink="true">http://www.mu-43.com/f84/double-system-shooting-46550/</guid>
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